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Religion and Film

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The interview explores S. Brent Plate's personal research journey into this relatively young field, charting the history of the field in the process. Discussion then turns to the key terms involved... what are we meaning by "religion and film"? The relationship of established "world religions" to cinema? Religion/s on Film? Documentaries?

Featuring

S. Brent Plate

Christopher R. Cotter

About this episode

When thinking about ‘religion and film’ it might be quite tempting to take a simplistic and narrow view, reducing the topic to the study of ‘Biblical Epics’ such as The Robe or The Ten Commandments, or the more recent Noah and Exodus: Gods and Kings. Or perhaps we might think of ‘religious’ censorship of ‘controversial’ films. Or maybe be tempted to view the ubiquity of modern movie-watching as a ‘religious’ practice. However, when we take even a moment to think more critically about what we might mean by these three key terms – RELIGION, AND, FILM – things become much more complicated. To introduce us to this fascinating and important area of research, this week’s podcast features Chris speaking with S. Brent Plate at the recent XXI World Congress of the IAHR in Erfurt. The interview begins with Plate’s personal research journey into this relatively young field, charting the history of the field in the process. Discussion then turns to the key terms involved… what are we meaning by “religion and film”? The relationship of established “world religions” to cinema? Religion/s on Film? Documentaries? Critiques and Parodies? Religions that exist only in Film? Films as Religious Experiences? Audience reactions to film? Films as myth? Films as a modern form of religion? And so on… We then discuss further aspects of Plate’s own work, the practicalities of carrying out such research on “fictions”, and whether the word “religion” is necessary in this context at all.

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Transcendental Meditations on David Lynch

Listening to S. Brent Plate’s insights on the comparison between religion and film, and in particular on the role of planning in film, calls to mind the work of the filmmaker David Lynch. Lynch is an adherent of Transcendental Meditation (TM) -a spiritual discipline and movement founded by Maharishi Mahesh Yogi, best-known in the West for his association with the Beatles.

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