The interview explores S. Brent Plate's personal research journey into this relatively young field, charting the history of the field in the process. Discussion then turns to the key terms involved... what are we meaning by "religion and film"? The relationship of established "world religions" to cinema? Religion/s on Film? Documentaries?
When thinking about ‘religion and film’ it might be quite tempting to take a simplistic and narrow view, reducing the topic to the study of ‘Biblical Epics’ such as The Robe or The Ten Commandments, or the more recent Noah and Exodus: Gods and Kings. Or perhaps we might think of ‘religious’ censorship of ‘controversial’ films. Or maybe be tempted to view the ubiquity of modern movie-watching as a ‘religious’ practice. However, when we take even a moment to think more critically about what we might mean by these three key terms – RELIGION, AND, FILM – things become much more complicated. To introduce us to this fascinating and important area of research, this week’s podcast features Chris speaking with S. Brent Plate at the recent XXI World Congress of the IAHR in Erfurt.The interview begins with Plate’s personal research journey into this relatively young field, charting the history of the field in the process. Discussion then turns to the key terms involved… what are we meaning by “religion and film”? The relationship of established “world religions” to cinema? Religion/s on Film? Documentaries? Critiques and Parodies? Religions that exist only in Film? Films as Religious Experiences? Audience reactions to film? Films as myth? Films as a modern form of religion? And so on…
We then discuss further aspects of Plate’s own work, the practicalities of carrying out such research on “fictions”, and whether the word “religion” is necessary in this context at all.
David Morgan, Professor of Religion at Duke University, has written extensively on the subject of material and visual culture. In a recent interview with Christopher Cotter, he provides an overview of the field of material religion and introduces his new book The Embodied Eye: Religious Visual Culture and the Social Life of Feeling (2012). In this review, I briefly tease out some of the themes from the interview, present a few snippets from some of Morgan’s publications and finally,
Scientology seems almost exclusively to be considered fair game (pun intended) for ridicule and criticism among New Religious Movements, and this may have much to tell us about the theoretical models scholars are using, and the institutional factors at play in the legitimisation of particular traditions in the academic and popular discourse. We discuss insider scholarship and the control of information; the Free Zone and the Church; strategic use of the category 'religion'; and how we see scholarship developing in the post-Hubbard era
"Although this might help pupils develop their critical thinking skills, this approach to the study of religion seems to reinforce the notion that religion is concerned with private, individualized beliefs of an ontological, epistemological and/or moral nature. It does not provide room for pupils to consider how ‘religion’ might be broader than assent to propositional beliefs or to explore further the nature of belief and how it can function in all our everyday lives."
Listening to S. Brent Plate’s insights on the comparison between religion and film, and in particular on the role of planning in film, calls to mind the work of the filmmaker David Lynch.
Lynch is an adherent of Transcendental Meditation (TM) -a spiritual discipline and movement founded by Maharishi Mahesh Yogi, best-known in the West for his association with the Beatles.
Identity or Identification? In this second podcast for Identities? Week, the Culture on the Edge group address the issue of religious identity. Is our identity – cultural, religious or other – something which causes us to act, or something which we choose to mobilise in certain circumstances? And what part do scholars have in reifying these discourses?
From piyyutim to zemirot to Yeshiva acapella groups in the United States, the use of music in the Jewish faith is numerous and varied. In this interview, Breann Fallon of the Sydney Jewish Museum chats to Dr Ruth Illman of Åbo Akademi University and Uppsala Universityi n about her research on the role of music as an agent of change within the progressive Jewish community in London that appears in her most recent monograph Music and Religious Change among Progressive Jews in London: Being Liberal and Doing Traditional. In particular, Dr Illman discusses the power of music to fuse the traditional and the liberal in a forward movement of progressive Judaism.
Usually one of the first associations upon hearing ‘Sri Lankan Buddhism’ is either the religious violence that swept across the island in the recent decades, or the Pali canon and Theravada Buddhism. In this interview with Anja Pogacnik, Dr. Stephen Berkwitz doesn’t really speak of either.
Since the turn of the twenty-first century, there has been a remarkable surge of interest among both academics and policy makers in the effects that religion has on international aid and development. Within this broad field, the work of ‘religious NGOs’ or ‘Faith-Based Organisations’ (FBOs) has garnered considerable attention.
This roundtable, in association with the Faraday Institute for Science and Religion, considers the impact of recent technological advances in Artificial Intelligence (AI) and robotics on religion, religious conceptions of the world, and the human. It draws attention to how such advances push religion beyond how it has been commonly defined and considered.
Fourteen contestants. One tetchy quizmaster. Three microphones. Numerous cases of wine. One glamorous assistant. Many bruised egos. A boisterous studio audience. A splash of irreverence. Dozens of questions. Four years of podcasts! A rapidly diminishing reservoir of academic credibility. And far, far too many in-jokes...
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