Essentially, Kripal calls out the religious studies world for not having a sufficient appreciation of the power of imagination and invites scholars and the interested public into a new comparativism that moves away from strict materialism. It was real to me. There I was, curled into a corner, comforter wrapped around my shaking limbs and sweating torso, twisted in terror in the sinister hours of the morning.
In exploring the interstices running along the contours of religion and popular culture researchers must not neglect the embodiment and praxis of religious expression in popular culture and vice-versa. There was a time when the realms of popular culture and religion did not meet — at least in an academic or analytic sense. The space betwixt, between, around, and interpenetrating each was relatively unexplored. Into that gap came God in the Details:
As I listened to her interview about the book and its ramifications on the Religious Studies Project, I not only appreciated her balanced and thorough approach to this topic, but found myself wanting to focus on three points that she touched on in the talk: 1) the ways in which “religion” is defined in the public sphere; 2) whether or not we should listen to “fringe” Islamophobes and their rhetoric on religion; and 3) thinking about “when Christianity is not a religion.”