At this past year’s meeting of the American Academy of Religion in Baltimore, Maryland, over 70 scholars met to participate in the AAR’s first THATCamp. The Humanities and Technology Camp is an open meeting for those desiring a conference experience outside of the presentation of formal papers. Participants submitted ideas ahead of time to the AAR THATCamp website, but the final shape and content of the event was decided on-site by a vote. In the busy weekend of paper sessions, THATCamp AAR was an oasis of facilitate first, pontificate second. As digital religious studies emerges within the broader digital humanities movement, the Camp was a rather bold move for the AAR, whose interaction has been driven by more conservative timelines.
THATCamp represents one of the bright spots of the digital world and its potential for conference goers. It emphasizes hands-on experience, privileges active learning, and puts expertise and enthusiasm for technology side-by-side. It can be chaotic with its impromptu schedule, but the advantage is the flexibility it offers to solve problems, foster dialogue, and teach digital skills.
Over the course of the day participants had the option to become more familiar with the online curation platform Omeka, learn about the many options for digital publishing, brainstorm ways to harness outside technological expertise for humanities projects, discuss the role of media in the classroom, learn the basics of big data, and even get tips about doing digital ethnography with students. The schedule is still up here, but it was as full a day of information as even the most seasoned technophiles could handle.
For the conference organizers that sat together for a few brief minutes over lunch, there was awareness of both the promises and perils of the digital world. As a fledgling research method whose products are varied and often unique, there is a great need for clear standards of evaluation of “good scholarship in the digital realm.” This should be of special concern to early career scholars who may have to fight for the presence of digital work in their tenure portfolios or in grant applications. This problem would be addressed not only by the development and promotion of open platforms for scholarly work, but also by sincere discussion about basic digital literacy and professionalization with digital tools and methods. Publishers, professional organizations, libraries, departments, scholars, and students–everyone in the academic chain will need to work out their roles for digital methods and digital work.
With so little time, several questions were pre-circulated to help things move along quickly on these topics.
What does it mean to teach or research religious studies digitally?
Does religious “data” make digital religious studies distinct within the digital humanities?
What is a digital religious studies research project you think more people should know about?
How can departments and the field better support digital methods and pedagogies?
For each of the six participants, digital methods and platforms are a key element in their identity as scholars. While there was not an opportunity to to fully explore their contribution and work, if you would like to learn more about them, please use the links below:
- David McConeghy, Independent Scholar of Religious Studies
- Hussein Rashid, Visiting Professor in Religion at Hofstra University
- Jeri E. Wieringa, PhD Candidate in History at George Mason University.
- Chris Cantwell, Assistant Professor of History at University of Missouri-Kansas City
- Lincoln Mullen, PhD Candidate in History at Brandeis University
- Nathan Schneider, author of God in Proof and Thank You, Anarchy.
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