By claiming the invisible not simply as a materialist term but a metaphysical one as well, Harriss contends that despite—or even because of—his status as a thoroughly “ secular” novelist and critic, Ellison’s writing reflects important theological trends and issues that mark his age and the cultural inheritances of his literary production. Harriss also identifies the scholars and thinkers who inform the methodological moves that he makes in the book, and he reflects on the abiding relevance of Ellison’s life and insights.
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