In exploring the interstices running along the contours of religion and popular culture researchers must not neglect the embodiment and praxis of religious expression in popular culture and vice-versa.
During the annual conference of the European Association for the Study of Religion at the University of Groningen, the Netherlands, Damon Lycourinos had the pleasure of interviewing Jay regarding her work on the subtle body and alternative notions of intersubjectivity, addressing both the theoretical and methodological implications for the academic study of subtle embodiment, and what the future might hold for this in the academy and beyond.
Over the past decade or so, the academic study of religion has become infused with a (re-)appreciation of the importance and impact of space, place and location upon its field of study. Of course, scholars have for a long time been aware of the need to situate ‘religion’ in context, however, the spatial analysis goes far beyond mere description of physical or cultural spaces, attending to the materiality and embodiment of ‘religious’ actions, thoughts, feelings, expressions etc and the reciprocity between individuals and the many different physical, social, intellectual, emotional, historical etc spaces in which they move.
David Morgan, Professor of Religion at Duke University, has written extensively on the subject of material and visual culture. In a recent interview with Christopher Cotter, he provides an overview of the field of material religion and introduces his new book The Embodied Eye: Religious Visual Culture
“…religion happens in material culture – images, devotional and liturgical objects, architecture and sacred space, works of arts and mass-produced artifacts. No less important than these material forms are the many different practices that put them to work. Ritual, communication, ceremony, instruction, meditation, propaganda, pilgrimage, display, magic, liturgy and interpretation constitute many of the practices whereby religious material culture constructs the worlds of belief.”