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Tag Archives: David Robertson

What is angel spirituality, and who does it appeal to (hint: women)? How do they challenge preconceptions about the relationship between new spiritualities and Christianity, and raise interesting questions about gender, and vernacular religion in supposedly post-Christian Europe?

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Are we right to connect millennialism and violence? Are groups like Heaven’s Gate or the Branch Davidians typical, or rare exceptions, magnified out of proportion by the lens of the media – and scholarship? How do we account for the popularity of mllennialism outside of religious traditions, new, extreme or otherwise?

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Yoga, in its modern form, should be of great interest to scholars of religion. While it certainly has roots in Vedic culture, the vast majority of Western practitioners do not see it as “religious”, but rather to do with health or “well-being”. Yoga’s status as religious has been in court, but nevertheless it continues to be practised in business, schools and, as Bruce Sullivan tells us, museums.

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What makes the sociology of religion and Religious Studies distinct from each other – if anything? Paul-Francois Tremlett, Titus Hjelm and David Robertson discuss what the two approaches have in common, and how they differ. Importantly, they consider how they might learn from each other. Does the sociology of religion over-rely on surveys, or could RS benefit from such large-scale data?

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"You got your sociology of religion in my religious studies!" "You got religious studies in my sociology of religion!"

What is the sociology of religion? What are its particular concerns, dominant themes and defining methodologies? Where did it begin, and how has it evolved? This interview with Grace Davie, the first in our BSA SOCREL series, introduces this important and historically influential approach to the study of religion.

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Now published in collaboration with the Religious Studies Project, Implicit Religion was founded by Edward Bailey† in 1998 and formerly the Journal of the Centre for the Study of Implicit Religion and Contemporary Spirituality.

Subscribers to the RSP receive a 30% discount on subscriptions. Click here to access the journal’s subscription page

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Figured as discursive objects, both the witch and the UFO exceeded (or were thought to exceed) the epistemic capacities of contemporary knowledge, necessitating the creation of new forms of knowing.

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Area 51, Ancient Aliens, endemic child abuse at the BBC, and Reptilians,… This interview begins with David’s own journey to this research field, before considering some basic questions such as “what is a conspiracy theory?”

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Music is a big part of a new “mediapolois”, part of a marketing matrix of people, places and industries. Today, music’s meaning is more often part of a branded ecosystem, not limited to entertainment, but part of the experience of everyday life, including religion.

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Surely we have moved past the idea of sinister cults brainwashing innocent victims? When it comes to the law, not so, Susan Palmer tells David G. Robertson.

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What is a discursive approach to the study of religion? And how can it answer the crises of contemporary RS? Kocku von Stuckrad tells David Robertson in this week’s RSP podcast.

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The Religious Studies Project, as an academic endeavour studying religion, is of course devoutly secular. In fact, we tend to take the connection between secularity and the academy completely for granted. But was this always the case? If not, how did it become so? And what does secular mean in this context?

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Jeffrey Kripal argues that we need to make room for the paranormal in the study of religion, and that consciousness should be at the forefront of our study.

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What is social constructionism, and how is it important to the study of religion? Titus Hjelm explains how approaches which see social realities as built from discourses challenge how we think about ontology, epistemology and power.

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Comic books frequently include alternative or heterodox religious ideas, something underscored by the fact that two of the most acclaimed writers working today (Alan Moore and Grant Morrison) are practising magicians, and their work frequently contains references to their practises.

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