The Religious Studies Project in the UK and State of Formation in the US stand out as two exemplary religious studies projects, often, as with these two, in collaboration with other universities, (as opposed to individual departments or programmes) that utilise social media daily to reach and interact with their intended audience.
We spend a lot of time on the Religious Studies Project discussing Religious Studies as a discipline or field of study, what it means to study ‘religion’ with or without quotation marks, and what exactly it is that the critical, scholarly study of societal discourses surrounding ‘religion’ might have to offer. However, up until today we have never tackled head-on the institutional location of Religious Studies within a higher education environment that is becoming increasingly stretched, and dominated by market forces and political whims. In particular, how might this situation affect graduate education it the study of ‘religion’?
Extensive research has been conducted by psychologists, and continues to be conducted, exploring beliefs, values and perceptions. However, despite being a central part of the lives of so many people, religion and spirituality continues to be a fringe concern for many psychologists – perhaps because they are frequently perceived as being unscientific.
In this podcast, Dr. Christopher Harding uses his research on psychoanalysis and Buddhism in modern Japan to tackle the two-way dialogue between religion and the psy-disciplines. How have these shaped each other, and what are tensions between them?
One link between yogic practice and museums may come from viewing yogis, yoga teachers, and yoga promoters as performing work comparable to museums in the nearly century and a half history of modern yoga’s global spread. As museums curate, exhibit, frame, spotlight, and annotate their works to an anticipated audience, yoga has similarly been consciously displayed and promoted. Modern yoga’s history can be emplotted through the way it has exhibited itself.
Ever wonder what it’s like to complete the dissertation to first book process? How people find publishers? How much the publisher and editor influence the project? This podcast offers a roundtable discussion where six scholars discuss these questions and more. All six published some version of their dissertation, and they have unique insights and anecdotes to help explain and illumine this process.
Using humour to understand in-group dynamics is especially important in this case since McIntyre’s case studies (LDS and evangelicals) are tight-knit communities that can see themselves as set apart from the rest of the world. As such, their in-group solidarity is particularly important for understanding how they construct their popular culture, which in turn supports their religious worlds. McIntyre makes an astute observation that in-group religious comedy is similar to popular music within these subcultures.
Politics and social institutions are inseparable. Whether we take a look at small-scale or complex societies, we can find that politics is involved with economics, kinship with hierarchy, and of course, religion with the state. In this podcast, Sidney Castillo interviews professor Marco Huaco Palomino as he addresses the nuances of secularity in several Latin American countries.
Every discipline has both power and responsibility to contribute to the dismantling of the Patriarchy by declaring its valorization of avarice, egotism, and violence to be wrong. The particular duty and power of religious studies and theology, is to point out that that valorization is hypocritical—that the culture of Patriarchy is itself inimical to the values of the sacred social order from which it claims its authority and for which it claims to offer protection
In this podcast Dr Caroline Blyth discusses her research on ‘theologies of rape’ and gender violence as enacted against males and masculinity, particularly within the Christian Church. Blyth also discusses her upcoming edited series Rape Culture, Gender Violence and Religion (edited with Dr Emily Colgan and Dr Katie Edwards).
The most evocative question raised in the podcast’s conversation is whether yoga and art have something in common—a sort of contemplative aspect—that can help us understand something fundamental about the nature of the sacred. Sullivan is certainly correct in pointing out that art is not meant to be contemplated for its own sake in pre-modern India any more than in pre-modern Europe. Such an approach, if we are to call it spiritual, only makes sense from a modern metaphysical perspective—specifically one geared at the various modes of finding deeper meaning within the self.
Yoga, in its modern form, should be of great interest to scholars of religion. While it certainly has roots in Vedic culture, the vast majority of Western practitioners do not see it as “religious”, but rather to do with health or “well-being”. Yoga’s status as religious has been in court, but nevertheless it continues to be practised in business, schools and, as Bruce Sullivan tells us, museums.
Finbarr Curtis’s recent book, The Production of American Religious Freedom (2016), defies easy categorization. Melding social theory, interpretive biography, revisionist intellectual history, literary analysis, film analysis, and the study of discourse and rhetoric, the book issues a much needed social constructionist inquiry into the largely taken-for-granted concept of “freedom” that
Religious freedom is an inherently good thing, right? It’s a cherished idea that is easy for state governments to enact, no? In this interview, Finbarr Curtis questions both of these assertions. In The Production of American Religious Freedom, Curtis argues that religious freedom is a fluent and malleable concept that people deploy for various and competing reasons. Curtis uses several case studies to illustrate how the rhetoric of religious freedom has no coherent logic. This discussion has both legal and political implications, as it concludes that one of modernity’s most important concepts—religious freedom—is both unobtainable and undesirable.
The things that make us uncomfortable about the interaction is what is sometimes referred to as “the uncanny valley.” Most often this applies to robots who are supposed to look human, but can’t quite pull it off. But it seems appropriate to this interaction as well. You reach the uncanny valley when you get close to “almost human” in looks or interactions.